SLIME CITY fans rejoice! I’m actively developing SLIME CITY MASSACRE, a down and dirty sequel for which I’ve just completed the screenplay. This time the story focuses on four squatters living in the abandoned soup kitchen once run by Zachary Devon. Every day is a fight for survival until the foursome discovers a supply of Himalayan Yogurt and Zachary’s elixir in the basement. All four characters are possessed by members of the Coven of Flesh, and absolute mayhem ensues! The film will be a celebration of 70s cinema nihilism and 80s latex effects, and I’ll tell you right now its much wilder and crazier than the original!

Mike Wheeler, MRA

I’ve written the lead role for Erika Smith, who’s already expressed interest in starring, and have several other genre favorites in mind for key roles. This time around, Robert Sabin will star as Zachary in flashbacks, Mary Huner-Bogle will reprise her role as Lori Swan, who’s no longer the sweet gal you might remember, and I‘ve created roles for supporting slime T.J. Merrick, Terry Spivey, Nelson Wakefield, Tom Sweeney, and A. Lee Perkins (KATIE BIRD *CERTIFIABLE CRAZY PERSON) and Roy Frumkes.

Mike Wheeler, MRA

R.J. Sevin of Creeping Hemlock Press, David Gray of Gray Effects, and Sean Flahive from Anarchy FX will provide the ambitious special effects, and R.J. has already shot preliminary test footage. I hope Robert Tomaro will return as composer, and Giasone Italiano is already working on an end credits song.

Artwork by Thomas Moran

Artist Thomas Moran and R.J. are providing concept art. The posters you see are the work of Mike Wheeler at MRA. Matthias Saunders will serve as Director of Photography extraordinaire.

Artwork by Thomas Moran

In an effort to maintain continuity—and a “passing of the torch”—J. Scott Coulter, who did the make-up effects for SLIME CITY, has sent me the meat cleaver that Mary Huner Bogle used to chop off Robert Sabin’s head in the original film!

Gregory Kurczynski and John Maclay are attached as producers, and we plan to shoot in late summer or early fall of 2008.

Artwork R.J. Sevin

Produced by Gregory Kurczynski